![]() Shylock and Antonio are just one pair of culprits adding to the ultimate imperfection of Venice. If one were to momentarily forget the real world, one would be trampled down by its massive stampede of events, bonds, et cetera constantly being made, ubiquitously in its domain. (Paradise lost.) Alas, as Auden suggests, there are no utopias. ![]() Despite Belmont’s perfection, a bit of justified hatred from Venice would ruin its innocence. The impeccable world is the fairy-tale city of Belmont. The flawed world is the materialistic and bustling city of Venice. However, utopias like that are nonexistent thus, one can easily look around, like Auden, and exclaim, “No hatred is totally without justification, no love is totally innocent.” In The Merchant of Venice, there is an imperfect world, as well as a perfect world. In a perfect world, hatred would be without justice love would be totally innocent. The Merchant of Venice is Far from Perfect ![]() ![]() In a casual but seminal essay on the play, Auden calls The Merchant of Venice one of Shakespeare’s “Unpleasant Plays.” The presence of Antonio and Shylock disrupts the unambiguous fairy-tale world of romantic comedy, reminding us that the utopian qualities of Belmont are illusory: “in the real world, no hatred is totally without justification, no love totally innocent.” “Brothers and Others.” “The Dyer’s Hand” and Other Essays. ’s Dystopia – The Merchant Of Venice Is Far From Perfect Essay, Research PaperĪuden, W.H. ![]()
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